Skip to main content

Laygay Samarnon Series, No. 6 - "BATO NGA PAMUNAKAN"

The song "Bato nga Pamunakan" vividly describes the ways back then, when the Samarnon women, heavily-laden with a basin-full of soiled clothes goes for the nearest river, brook or stream for laundry.  It is in this set-up that news and gossips about the town's prominent and the common folks' lives are unintentionally subjected under scrutiny and deliberation.  It is in such gossip-mongering situation that the persona of the song laments.

The song is actually sung in the common dodecasyllabic lines of the Visayan balitaw or more specifically, the ismayling or amoral of Samar.  This version of the song was notated by Mr. Irasga as sung by an unidentified staff of the Division Office of Borongan City in Eastern Samar sometime in 2014. Further research on the song yielded more versions from Tacloban City and Western Samar.  The longest version so far is the one found in the unpublished manuscript Antolohiya han mga Tradisyonal ng Porma. Nevertheless, the song text below is common to all versions;


Buhi pa an bato nga pinamunakan
Ngan didto la pagtikang an karukayakan 
May-ada ko singsing, singsing nga bulawan
Pinurot ni Inday, ngan pagtinangisan.


The big rock still stands
Where those gossips first came about
I once have a ring, a golden ring
Which Inday picked up, only to weep on it.

[Literal translation by the blogger.]


Comments

Popular posts from this blog

CHUA-AY - Philippine Folk Song (Ifugao)

Chua-ay is probably among the most popular Ifugao folk song. This simple song first appeared in Emilia Cavan's book "Filipino Folk Songs" published in 1924. According to this book, Chua-ay is an "Igorot Wedding Song." Nonetheless, it became popular in the academe as the Ifugao "rice pounding song," and the pounding of the pestles are supposed to follow the rhythm of the song. How this sudden change of understanding came down to present-day Filipino students is not known. The song text translation below was taken from Cavan's book, p. "v." Man-child brave, man-child strong, For thee we call, oe!, oe! Brave to fight, strong to work, We bid thee come, oe!, oe! Carry rice from field to town, oe!, oe!

SI FILEMON - Philippine Folk Song (Cebuano)

This is among the most easily recognizable Cebuano-Visayan folk song. Thanks to Yoyoy Villame, this already popular song became even more popular especially to non-Visayan speakers. The comic song is about a fisherman named Filemon who went fishing in the sea. All he got was a small mudspringer ( tambasakan ), which he sold at a dilapidated market for 50 centavos ( kura ) each. His earning was enough to buy himself tuba wine.

DANDANSOY - Philippine Folk Song (Hiligaynon/Kinaray-a)

One of the most popular Philippine folk is this song about the parting of lovers. Dandansoy is the nickname of the man who is leaving his beloved in their place Payao.  Early version of this song appearing in the American period music book - the Progressive Music Series - Philippine Edition states that this song originated from the town of Culasi in Antique Province and was reported by a certain Fortunata Masipok.  The simple, yet lovely melody of the song truly have a universal appeal that it already have versions in many Philippine languages, primarily in the Visayan regions. The notation of the song below was taken from the thesis of Mr. Cainglet, available online. For classroom instruction purposes, only the first verse is given here.